Friday, June 15, 2007

Discoloured Baby Bottles

George Eastman, an uncommon destiny

Source: Bulletin of the Belgian Association of Photography in April 1932.

We read in the newspaper "The Metropolis" Antwerp: George Eastman, American tycoon Industry Photographic killed himself at the age of 77 years.

George Eastman was born in Waterville, NY in 1854. He was six when his father went to live in Rochester NY and would die soon. His mother was crippled. George, 14, left school. Insurance, where he found employment, paid at a rate of $ 3 per week. His two sisters completed the family. Haunted by the specter of poverty, the young Eastman saved his earnings as much as possible and the first year, the price of multiple deprivation, managed to save $ 37. The insurance company saw that she had in him a worker, and soon the $ 3 per week became $ 600 per year, the maximum possible. His manager then recommended him for an accountant in a savings, treatment of $ 1,000 per year.

But Eastman was not satisfied with his office work. His spare time, he used them to manipulate the tool to fix and had ended up installing a whole little workshop.

Then he learned to do photography. He paid $ 5 to a professional who put him aware of the preparation of the wet plate then in use. Then he tried to remedy the lack of practice the whole system. Unfortunately, his experiments were interrupted: he had just been designated for a higher position in the bank. In the meantime, he learned that England had been at the plate with gelatin-bromide. Concerned, without waiting for additional information, it starts to work. He experiments. The failures the tailgating instead of discouraged. And the great result he obtained was not the perfect plate, but he wanted the commercial viability of the process. Which was impossible with the wet plate was achieved with the dry plate: manufacture and sell in great detail.

Iconography: Nadar photograph Eastman in 1890.

And his resolution was taken, after some hesitation (maintenance of his mother, horror of poverty, he earned $ 1,400 annually, saving of course) he decided to become a manufacturer of plates. Humble beginnings: a room with low rent, used for structural work and himself to the chemical. The chance was for many in the excellence of its terms, Eastman confessed candidly.
Professor Eastman became his pupil and his client. He set out with his camera and his new plates. However, our manufacturer, which had joined with Henry Strong, who had abandoned his job, while almost breaking the bank. Were manufactured for $ 4,000 wafers per month but they do not retain. Moreover, the plates were devoid of sensitivity, a phenomenon that can not be explained.
Eastman disappeared. A few months later, he reappeared. He returned to England where he had just acquired the rights to operate an excellent formula. But the plate was not always what it should be: it was the quality of the gelatine which spoiled everything.
Then came the substitution of glass and celluloid creation of the apparatus for receiving the film. n was in 1884. The Kodak was launched the following year and the formula: "Press the buton, we'll do the rest."
It was this film that gave the idea and allowed Edison to achieve the "Kinetograph.
Then, in 1888, was founded "the Eastman Kodak Company," which acquired all rights to George Eastman.
We will not say this extension has taken this case, we know it: a room, it became a facility that covers twenty hectares at least.
Suffice it to say that Eastman leaving about one hundred million dollars and that his works of philanthropy totaled more than $ 75 million. A bachelor, he had built a theater in Rochester. London owes a dental clinic also like Rome, Paris, Brussels and Sockholm.
During the war, he subscribed to several million dollars in various loans allies. Moreover, many of its donations were made in the anonymity of Couvet.
recall, with regard Brussels, the city had given the ground. Eastman, meanwhile, gave one million dollars.
note: finding the article "The Metropolis" a little "light", I tried several things that I thought interesting to the reader. Kodak means nothing but lorsqu'Eastman launched on the market the first camera of its design, he sought a single word, "slamming" and pronounceable in any language.

As for the origin of the term, which is the original "You Press The Button, We Do The Rest", it comes from the Kodak camera phone in hand, carrying a roll of paper negative for 100 shots. These being carried out, it was assigned the complete device and the merchant receive, in addition to prints, her unit provided with a new film ready to be emulsified.

Regarding the suicide of Eastman it is caused by a disease of the spine that would have rendered permanently disabled. Unable to support this idea, he had to shoot in the heart to escape this fate. Was found near his body the following message: "My work is done. Why wait?".


Tuesday, May 29, 2007

Pl 2303 Drivers Old Version

was discovered the oldest intact photo lab in the world!



FROM "THE JOURNAL OF COTE D'" MAY 29


Near Chalon-sur-Saone:

Discovery of the oldest photo lab in the world
A laboratory intact, as its owner had left it closed yesterday, 152 years ago.
A key turn and a door opened with a history dating back 152 years. A laboratory of one of the leading photographers in the world has been rediscovered intact. It was in 1840 that Fortune Joseph Petiot-Groffier opens his laboratory. He will use it until 1855 and died mysteriously, possibly because of photographic chemistry. Cautiously, his heirs closed the porte.De generation to generation, remains around Chalon remained busy but the room remained closed but without being totally forgotten. Because the family has always been aware of and keep a treasure but remained sealed off carefully double-locked behind his wooden door on the second floor - now empty - from the house. Two years ago, the last family member inherits to turn the house and there he discovered the treasure. But it will take two years to determine who will choose to confide in, anxious to preserve the full, not disperser.C the east and in the beginning of the year, he decided to contact Pierre-Yves Mahe, the initiator of the House Niépce, Saint-Loup de Varennes. "I have something to show you," he slips. Pierre-Yves Mahe wants to come see firsthand the reality of this discovery without a second guess what's coming. "I do not attach huge importance to this announcement at the start," said Mr. Mahe has already seen promising sensational discoveries prove well banales.Pourtant finally, when the famous door finally opens before him, is a world that appears forgotten. A complete laboratory, intact, as the user had left her just before his death in 1855 and left the state since. "It was a heady moment, we do not know where to look there were hundreds of bottles of chemicals, often full, hundreds of books, objects around which several devices to achieve the images under the first two photographic processes, the Daguerreotype and Collodion. "And for him who 's invested since 1999 in its draft Niépce House is immediately instant answers to his questions, research perspectives. "Everything was shaking his head in a moment." In the emotion of the moment, a thought arises: "what if all this burned tomorrow, I would be remiss in my life." Then Pierre-Yves Mahe photography. Everything. Haphazardly. "There was urgency to save something." The shock of discovering past, House officials Niépce, Pierre-Yves Mahe, but also Jean-Louis Marignier Michele Lourseau, enter the complete inventory of the treasure that n 'has not finished delivering all of its secrets. "We have for several months of study," said Mr. Mahe today. Not a priori, such an amount of time chemistry had indeed been found, more than 300 bottles still filled with many still sealed. Coupled with this, more than 400 pounds prior to the 1830's containing all the knowledge of the day on which a photographer was build. Of course, all the accessories necessary to achieve and Daguerreotypes Collodion there are complet.Grâce this quantum leap in time that a door opening has him perform, the laboratory and research findings will be presented in the Niépce House in Saint-Loup de Varennes, in the heart of the territory's birth photographic adventure. definitely Burgundy.

C. Saulnier

Who was Fortune-Joseph Petiot Groffier? Fortune-Joseph Petiot Groffier is contemporary Niepce, J. Chalon sur Saône, then mayor of that city from 1832, one year before the death of Niépce. Considered the father of the local industry (he founded the candy Chalon sur Saone and saves the Creusot after the bankruptcy of English society Mauby and Wilson). It looks at the picture in 1840, knows Niépce and his cousin Niepce de Saint Victor, Baldus, Plumier, all photographers of the time. It uses the same suppliers and accessories including those of Nicephorus optician Charles Chevalier and working with bankers who accompanied the Niépce all their lives, the Costes brothers.