I Cut My Between Thumb And Finger

III - The color calibration

It is time to start making the pitch that will allow us finally to a draw. Several methods exist and will be presented.

From that time the following parameters are defined.

1. The printer model is used, I recommend photographic models which give the best image quality.
2. We will use a transparent Quality brands following Pictorico, Agfa, or Folex Tecco
3. The paper chooses to print settings of the printer
4. The method and the paper you intend to use.

staining
As described in the preceding paragraph describes the color range of Mr Michael Koch-Schulte time that allows us to obtain a maximum black. we get a contact that shows us the safelight inks depending on the dosage.

fig1. exposure range agfa Copyjet / Epson 7800 (Semiglossy) - platinum print on paper 320 Cot Expo 4min mixture (3 4fo Pd Pt 1 K1 1%)

To select the tone is limited to the intermediate zone between the area actinic No Fig. 2-A and areas actinic B. It can be used a coloring area B, but it amounts to is using RPLUSER ink than necessary and risk being confroter to loss of definition and / or longer drying time

fig2. exposure range agfa Copyjet / Epson 1290 (Glossy) - platinum print on paper 320 Cot 2min Expo New cyanotype (Ware)

For example agfa Copyjet / Epson 7800 / Platinum Palladium on TOC I opted for staining Next 130/100/60 TSL (TSL: hue / saturation / brightness).